All Global Research articles can be read in 51 languages by activating the Translate Website button below the author’s name.
To receive Global Research’s Daily Newsletter (selected articles), click here.
Click the share button above to email/forward this article to your friends and colleagues. Follow us on Instagram and Twitter and subscribe to our Telegram Channel. Feel free to repost and share widely Global Research articles.
***
Ludwig van Beethoven’s 9th Symphony’s first performance was in Vienna in May 1824 at the Kaiserliches Hoftheater am Kärntnertor
The 9th Symphony is considered as a powerful symbol of solidarity, social equality, peace and human values.
But there is something else, which has been ignored by musicologists and historians of music:
Beethoven added three extra verses –coupled with corresponding musical pitches– which were not contained in Friedrich von Schiller’s original “Ode to Joy”:
Oh friends, not these sounds!
O Freunde, nicht diese Töne!
But let us sing more pleasantly
Sondern lasst uns angenehmere anstimmen
And more joyful ones!
Und freudenvollere!
These three verses were sung right at the beginning, they were followed by
Freude!
Freude!
Freude schoener Goetterfunken
Tochter aus Elysium
…
Dear Readers, we suggest you listen carefully to the 4th movement.
Three verses were inserted (in musical phrases) at the outset of the 4th movement (O Freunde, nicht diese Töne!). What is Beethoven’s message to humanity??
O Freunde, nicht diese Töne! Oh friends, not these sounds! Sondern lasst uns angenehmere anstimmen, But let us sing more pleasantly
which in substance means: Friends, get rid of all those “ugly sounds”
Was Beethoven’s intention to “bypass censorship” while expressing in the lyrics and melodies the true nature of these “ugly sounds” which in Vienna in the year 1824 consisted in the derogation of peace and fundamental human rights at the height of the Austrian Empire under Kaiser Franz I (1804-1834)
Kaiser Franz I (image left)
This was during the “Metternich Period”, which was marked by social repression and “empire building”.
Was this not a subtle message within Beethoven’s musical brilliance to the socially repressive regime of the Austrian Empire which at the time was under the helm of State Chancellor (Prince)
Klemens von Metternich?
Klemens von Metternich (image right)
There are (unconfirmed) reports that Metternich and Beethoven knew each other. Metternich was present at Beethoven’s funeral three years later in 1827.
While Friedrich Schiller’s Ode to Joy is considered Worldwide as a message to all mankind: “living in peace and harmony together”:
these three verses added by Beethoven should be remembered as a “Symbol of Resistance”
The Choral starts at about 6.00 with the first three verses (which are indicated in German on the screen of the first video).
The second video featuring the 9th Symphony was recorded in Berlin
The full lyrics in German and English are indicated below at the foot of the article
Today, at the outset of the 21st Century, Europe’s “Classe politique” is once again committed to sustaining the “ugly sounds” of a social order marked by corruption, fraud and social divisiveness.
The music of Beethoven’s 4th Movement was embedded in the EU-Anthem. The poem by Friedrich von Schiller was not used.
Let us recognize Beethoven’s Ninth Symphony as a symbol of resistance, which in the contemporary context should be used to address the numerous “ugly sounds” of the World Economic Forum’s Great Reset, coupled with “Shock Treatment” and the Neoliberal agenda, which is endorsed by corrupt politicians, leading to the impoverishment of millions of people Worldwide.
Michel Chossudovsky, September 21, 2023
