Sponsored by Georgetown University Global Dialogues
There’s much to learn about independent media from the life and death of The Village Voice.
Marlen Haushofer’s The Wall is a gripping drama of survival that plays with the conventions of the “last man” genre.
For travelers in the Romantic period, Mount Vesuvius was an object of scientific curiosity, a political allegory, and a touchstone of the sublime.
Hundreds of thousands of people in Gaza are at the brink of famine—a human-made disaster with roots in Israel’s history of using food as a weapon.
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